“Me without the paper is like Tune without the lean / Or Phil without the rings,” the Migo raps.Ģ Chainz appears for a Collegrove reunion on “Know You Know.” Lines like “I’m an ex-drug dealer / Get a rush when the egg sizzle” are enough to boost the song beyond its lazily misogynistic hook. Takeoff sounds fantastic paired with Wayne on “I Don’t Sleep.” The two ping-pong around a P’ierre Bourne-esque beat with nearly audible smiles. Most of the featured rappers accentuate Wayne at his carefree best, including songs with Lil Twist, O.T. Hearing Wayne rap “Party time, excellent” is so fun! The track succeeds thanks to the beat by Manny Galvez and Louie Haze it sounds like a machine ascending at light speed, over huge drums. “Wayne’s World” comes close to grating with its obvious Myers and Carvey sample, but the exuberance in their voices works. Now, it just sounds like a relic, but like Eminem, the anachronism won’t keep Wayne from debuting atop the Billboard 200. The hook’s fake deep cynical ethos is not far removed from Eminem’s Recovery or Wayne’s own “rock” album Rebirth. “Trust Nobody,” the track with an Adam Levine chorus, would have been huge in 2010 as the soundtrack to a Call of Duty commercial. “I Do It,” a collab with the clashing Big Sean and Lil Baby, was dubbed the first “single” via tweet but expect that to change once the streams gravitate towards a favorite. Given Wayne’s numerous hits, nothing on Funeral really sounds like a single in the way “Right Above It” or even “Uproar” did. The line was also included in Big Sean and Nicki Minaj’s 2011 collab “Dance (A$$).” It’s an oddly poignant reminder of Wayne’s longevity, and this allusion reinforces his status as an important figure in the canon of booty-centric rap songs. Wayne starts the second verse with “Wobble-di-wobble,” a reference to his own verse on Juvenile’s immortal 1998 song “Back That Azz Up”.
On “Clap For Em,” Lil Wayne shouts commands to twerkers over a bounce beat straight from his hometown. “Mama Mia” is built around post-dubstep shrieks from Some Randoms, and Wayne matches the energy with an athletic display of rapping. The keys and bounce on “Ball Hard” are influenced by the low menace of Memphis beats. “Funeral” begins with drumless melodrama until the second half beat reveals another follower of the Dreams & Nightmares album intro format. GQ reports that some beats were made less than a year before release, while the title track’s beat dates back to 2013. The beats on Funeral span styles as well as eras.
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“I live the American dream / Foreign everything,” he yelps on “Dreams.” On “Mahogany,” he wraps around repetition of the title phrase like producers Mannie Fresh and Sarcastic Sounds chopping up Eryn Allen Kane’s vocals: “Mahogany sand, boy, I start a sand storm / Mahogany skin, touch me, I cut your hands off.” On “Line Em Up,” he raps “Pistol whip you ’til you know the serial number by heart,” a threat that would make Prodigy proud. Wayne can still deliver great verses when he’s on. But the album shows Wayne still capable of great bars and rapping with the same enthusiasm he’s shown off since he was 17 years old, rapping about dodging police on Tuesdays and Thursdays. Funeral is not Wayne’s best work, and it’s a mixed bag at 24 tracks. Following a few mixtapes and false starts, Tha Carter V was finally released in September 2018, debuting atop the Billboard 200 thanks to an adoring public.Ī little over a year later, Wayne is back again with Funeral, released Friday, January 31. He even released the Tidal exclusive Free Weezy Album in 2015. The rapper born Dwayne Carter endured a five-year gap between studio albums following 2013’s I Am Not A Human Being II, possibly due to disputes with his record label.